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neumu
Tuesday, December 12, 2017 
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Editor's note: We have activated the Neumu 44.1 kHz Archive. Use the link at the bottom of this list to access hundreds of Neumu reviews.

+ Donato Wharton - Body Isolations
+ Svalastog - Woodwork
+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
+ Múm - Peel Session
+ Deloris - Ten Lives
+ Minimum Chips - Lady Grey
+ Badly Drawn Boy - Born In The U.K.
+ The Hold Steady - Boys And Girls Together
+ The Blood Brothers - Young Machetes
+ The Places - Songs For Creeps
+ Camille - Le Fil
+ Wolf Eyes - Human Animal
+ Christina Carter - Electrice
+ The Decemberists - The Crane Wife
+ Junior Boys - So This Is Goodbye
+ Various Artists - Musics In The Margin
+ Rafael Toral - Space
+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
+ Barbara Morgenstern - The Grass Is Always Greener
+ Robin Guthrie - Continental
+ Peaches - Impeach My Bush
+ Oakley Hall - Second Guessing
+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
+ Awesome Color - Awesome Color
+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
+ Regina Spektor - Begin To Hope
+ The 1900s - Plume Delivery EP
+ Alejandro Escovedo - The Boxing Mirror
+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
+ Supersilent - 7
+ Band Of Horses - Everything All The Time
+ Dudley Perkins - Expressions
+ Growing - Color Wheel
+ Red Carpet - The Noise Of Red Carpet
+ The Essex Green - Cannibal Sea
+ Espers - II
+ Wilderness - Vessel States

44.1 kHz Archive



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Destroyer
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Streethawk: A Seduction
Misra
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It's not every day that one gets to use the words "elegant" and "ballsy" in the same sentence, but what an elegant, ballsy little album this is! Its elegance lies in its sense of timing — the audible space between the first two words of the line "Go...or don't go," in shimmering opening number "Streethawk I," or the leisurely pace of lines like "Was it the movie or 'The Making of/ Fitzcarraldo'/ Where someone learned/ To love again?" — and in the smooth, milky wisp of a feeling on which the whole album floats by, sounding somewhat like the Sea and Cake, with way more guitar soloing and a more comprehensive, impressive knowledge of the history of North American songwriting. Lyricist Daniel Bejar has already spent two minutes daring you to notice his overt Ian Cutis reference by the end of the album's second song. Where, then, are the balls in all this? Only here: as a singer, Mr. Bejar is the most unabashed Bowie clone since Suede's Brett Anderson, and if you've heard Suede, then you know exactly how shameless Bejar must be. His fearlessness with regard to impending Bowie comparisons is positively intimidating. How can you fault a person who so clearly isn't concerned with what you have to say about his project? You can't. You can only wholeheartedly and unapologetically embrace an album whose languid melodies, Diamond-Dogs-via-Crooked-Rain guitars, and surprise-a-minute, genuinely intelligent lyrics ("Write your English music/ Though you know it will come to no good/ When brilliance has a taste for suffering/ And you're softer than the Western world") are as understandable in feeling as they are cryptic in sense ("Medium rotation/ The shock of the new/ And a memo from Feldman/ Saying everything was true"). It's intellectual! It's palatable! It's got a song that sounds exactly like an outtake from Brian Eno's Taking Tiger Mountain by Strategy! Plenty of records are either cool or good, but this one is both.


by John Darnielle




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