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neumu
Wednesday, April 24, 2024 
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+ Donato Wharton - Body Isolations
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+ Tim Hecker - Harmony In Ultraviolet
+ Rosy Parlane - Jessamine
+ Jarvis Cocker - The Jarvis Cocker Record
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+ Bob Dylan - Modern Times
+ Excepter - Alternation
+ Chris Thile - How To Grow A Woman From The Ground
+ Brad Mehldau - Live in Japan
+ M Ward - Post-War
+ Various Artists - Touch 25
+ The Mountain Goats - Get Lonely
+ The White Birch - Come Up For Air
+ Camera Obscura - Let's Get Out of This Country
+ Coachwhips - Double Death
+ Various Artists - Tibetan And Bhutanese Instrumental And Folk Music, Volume 2
+ Giuseppe Ielasi - Giuseppe Ielasi
+ Cex - Actual Fucking
+ Sufjan Stevens - The Avalanche
+ Leafcutter John - The Forest And The Sea
+ Carla Bozulich - Evangelista
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+ Peaches - Impeach My Bush
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+ Klee - Honeysuckle
+ The Court & Spark - Hearts
+ TV On The Radio - Return To Cookie Mountain
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+ Jenny Wilson - Love And Youth
+ Asobi Seksu - Citrus
+ Marsen Jules - Les Fleurs
+ The Moore Brothers - Murdered By The Moore Brothers
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+ Function - The Secret Miracle Fountain
+ Sonic Youth - Rather Ripped
+ Loscil - Plume
+ Boris - Pink
+ Deadboy And The Elephantmen - We Are Night Sky
+ Glissandro 70 - Glissandro 70
+ Calexico - Garden Ruin (Review #2)
+ Calexico - Garden Ruin (Review #1)
+ The Flaming Lips - At War With The Mystics
+ The Glass Family - Sleep Inside This Wheel
+ Various Artists - Songs For Sixty Five Roses
+ The Fiery Furnaces - Bitter Tea
+ Motorpsycho - Black Hole/Blank Canvas
+ The Red Krayola - Introduction
+ Metal Hearts - Socialize
+ American Princes - Less And Less
+ Sondre Lerche And The Faces Down Quartet - Duper Sessions
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artist
C Average
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Second Rekoning
Kill Rock Stars
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WARNING: The new album from C Average, Second Rekoning, is almost entirely instrumental (I figured you'd want to know that right off the bat), and very, very heavy. When I say this is hard-rock slash metal, though, don't start thinking about Guns N' Roses or Metallica or your old Mötley Crüe albums. C Average have a hard-rock slash metal sound all their own, with some punk attitude in there too. Now, I don't love it, but I haven't heard anything like it, and it feels so refreshing. Not because C Average, a two-piece from Olympia, have some outrageous, experimental sound, but because they take the sound of metal and hard rock — and then add some more. Where some rock bands sound like 60 or 70 percent, C Average sound like 150! At a time when the typical human's attention span is getting shorter, C Average go for broke with six-plus-minute-long songs (no, don't worry, no boring drum solos). The songs contain enough variations to prevent that feeling of being caught inagaddadavida (baby). Headphones should definitely be used to listen to this album — intently. This is hard, brutal rock, sometimes fast, sometimes slowed down. Some bands don't wanna slow down — you might catch their unintentional slip-ups. Not C Average. They'll play 'em fast and they'll play 'em slow. Lead-off track "Starhok" incorporates racing guitar lines reminiscent of The Who; their cover of the Sonics classic "The Witch," with creepy vocals, is one of the few non-instrumentals. There's also a cover of Mose Alison's classic "Parchmens Farm" — only, as the liner notes observe, with "arrangement by Blue Cheer" (a very noisy '60s proto-metal band that did a version of "Parchmens Farm"). Constant throughout is a sound that feels like metal: cold, hard, dark and kind of scary. C Average make music you can't ignore. This is not an album to play in the background at a dinner party, nor road-trip music you can sing along to. There is very minimal singing and it's not fun — it's serious. The band thanks "Maria Juana" in the liner notes, which would explain that elusive stoner quality. But don't jump to conclusions now and think this is stoner rock — it's not. Where stoner rock is hazy, Second Rekoning is crisp and clear (well, most of the time). So when you're going through your record/CD collection thinking "I'm so tired of the same ol' thing," think of C Average because their new album is anything but tired and certainly not more of the same ol' thing.


by Jenny Tatone




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